RSS
 

Archive for the ‘creativity’ Category

A Probability Discussion

05 May

There’s a major problem with probability: it doesn’t work very well.  For example, common knowledge tells me that in a fair coin toss I have 50% odds of flipping heads and 50% odds of flipping tails.  But flip a coin once and you’ll either get 100% tails or 100% heads.

Now, I get it.  I mean, don’t worry.  After many flips, blah blah blah.  We can study a fair coin toss for two weeks, counting total possibilities, various games, expected values, special orders with surprising probabilities, etc, but none of this helps me guess the next flip at all.  Even in the next six flips there’s a depressingly low chance of getting three heads and three tails.  We certainly can’t rely on it happening in our math class while we try to convince people of what “50% likely” means!

I believe in probability, but it is indemonstrable.  Once you do something, it 100% happened despite its 50% (or 5%) odds.  The challenge for us, then, is to reconcile these seemingly-disparate pieces of evidence.

I chose to let the students have a 30-minute discussion about the issue and I brought several props.  My goal was to get the students to seriously consider their beliefs about probability – to be wary before they were confident.  By the end of this conversation, I want some students to doubt that heads and tails are equally likely.

I started the conversation by showing them this quarter, through which I have inserted a piece of paper:

After the requisite jokes about how hard it was to get that piece of paper through the quarter, I asked, “What are the odds of flipping tails?”

“50%,” one student immediately asserted.  The other students all agreed (I was surprised that they all agreed).  Experimentally, we showed that the odds are not even – there was a strong correlation between the side that starts up on your thumb and the side that lands up on the table, apparently because the paper drastically reduced the coin’s tendency to flip at all.  It sort of parachuted down instead of flipping and rolling.  One of the students tried cutting the paper (which started as a clean square) to see if she could affect the odds.  The students’ assumptions were incomplete and wrong, which is one of my favorite ways of getting them interested.

Then I asked another set of questions, this time with a plain coin and no paper:

“When I hold this coin way above the table with tails facing up and drop it, what are the odds that tails will land up?”

50%, Riley, [obviously | I think | assuming it bounces].

“Ok… when I hold this coin one inch above the table with tails facing up, what are the odds that tails will land up?”

100%, Riley, it won’t even flip.

But at two inches, the coin bounced a bit, and at three inches it was hard to tell what was going to happen.  ”At what height does it become 50%, class?”

They got my point.  If we can tell what is going to happen after an inch, why can’t we tell what is going to happen in a foot?  Philosophical questions abound here, right?  And they started to doubt themselves about everything.  They started to see that there’s no way to test the probability with perfect accuracy.  They started to see that you might be able to rig a coin flip to turn out the same every time.  They started to see the effects of human bias in selection games (I had a deck of cards too).

By the end of this discussion, my students were using phrases like “assuming that there is enough complexity” and “assuming that no one is cheating” and “assuming that the sides are equally heavy.”  They saw the assumptions that go into a statement like “heads and tails are equally likely,” and saw that we can’t rely on that information in all cases.  I sacrificed 30 minutes of class during which they could have practiced permutations and combinations, but I hope that their increased savvy about statistics will pay off.

 

The Sound of Music: Experiential Exponential Potential?

07 Apr

For several years I have used the frequencies of sounds to give students practice using exponents.  This year I did things backwards: we’ve been studying exponents in various abstract ways first, and then as a sort of conclusion / practice / experiment / “hands-on” kind of thing brought out the tuner.

For this 1-hour lesson you will need:

  • A computer per group of students,
  • A microphone per computer,
  • G-tune,
  • Either the money to buy g-tune, the gall to use the demo version in class, or an alternative piece of software, and
  • A worksheet much better than this one (docx).1

Suggested Lesson Activity (50 minutes)

5 minutes: have a student read the first part of the first question aloud.  There is a lot to read here – too much to give to each group to read, I think.  After “the chromatic scale,” have groups turn on g-tune and attempt a chromatic scale.  This will be fun and hilarious for them and perhaps more so for you.  Make sure each group has g-tune working and can identify the notes that it is displaying.  Surprisingly, many groups could do this simultaneously – my groups were less than 10 feet apart and did not suffer too badly from interference from nearby singing.

10 minutes: have a student read the next part of the first question.  Stop after “number to the note,” or whatever you have rewritten it to be (please do rewrite it).  Explain that your goal for the class period is that the students will be able to find a mathematical pattern in the musical scale that will allow them to predict the frequencies of different notes (and the notes at different frequencies if you’re studying logs too).  Then let each group read the discussion questions aloud and decide on their numbering system.  Today I had groups start with 0 at C4 and C3.  Another group started with 0 at G#5 and go backwards, and another group started with 1 at A2 and go up by 0.1 (so C3 was 1.3).  Of course the scale does not matter as long as it’s linear, so whatever will be easiest for them to work with will be best.  Probably the easiest scale would go up by twelfths, but of course you will not tell them that.

10 minutes: students will find the specific frequency of ten different notes.  After they have done this and recorded their data in duplicate or triplicate, you (the teacher) can take their sheets and swap them between groups to increase measurement speed.  You are now done with my worksheet, and luckily have added on to it the last half of this lesson, which I did not have time to do before class.

10 minutes: Ask groups, “do you see any patterns in the data?”  Your rewritten worksheet says something like “look for patterns in the data.”  If they don’t see any, ask how they can look for patterns in numbers.  They should be thinking of strategies like “make a table,” or “make a graph.”  You might be extra-direct and prompt them to look for a relationship between C3, C4, and C5, or F3, F4, and F5, etc.  Today in my class 100% of students noticed that the frequencies approximately double between notes one octave apart.

10 minutes: Ultimately you want to be able to bring this back to exponents and logs.  I had students graph their data on geogebra, and I asked questions like “what would the frequency for C6 be?” and “what note would be at 1000 Hz?”  Inevitably their answers included the exponents and logs (though only one group called their logarithms logarithms).

If you are not a small-group kind of teacher, the closure of this lesson seems weak.  But just wait until you hear the kind of discussion that happens with 3 or 4 kids trying to figure this out, with such a fun activity (singing) and fun tool (cool waves and stuff that respond to your voice) and high skill levels (my kids can already work with exponents and logs relatively comfortably).  One of my four groups actually found the equation that best matched their data, AND its inverse – it was really neat to see it in geogebra.  Every group used exponents to talk about the frequencies, and all but one group started to talk about logarithms too.  This is practice using math in a casual way and feeling the fun and power of it.

This is a fun class full of joyous noise, and the kids were really into measuring precisely and graphing precisely.  Every group eventually made a graph and noticed it looked exponential or logarithmic (depending on what they assigned to which axis).  They got to think about what kind of scale makes sense in the first question, and got to see exponents at work in nature.  I used the last five minutes of class to indulge in a monologue about the philosophy of sound: “is ’sound’ the only way to interpret vibrations?” and “the computer registers 180 and we hear a certain pitch – which is more useful?” etc.


  1. Sometimes when I am self-deprecatory I am actually trying to emphasize how awesome I am.  In the case of this worksheet, however, please be advised that you probably actually want a much better one.  For one thing, the worksheet provided only covers half of the lesson plan (ran out of time!).
 

Painting with Functions

27 Nov

I recently read (parts of) Paul Lockhart’s 2002 essay about math education.  His critique is essentially that we are taking the art out of math by forcing students to focus on every little mechanical subtlety before ever letting them create their own mathematics.  Faced with an upcoming unit on polynomials, which I am frankly dreading because I can’t think of a way to make dividing the things interesting, I decided to spend 30 minutes of a class letting the students play at math, to make creations of their own.  I started them off with the following ggb file (actually I started them with a  set of such files, one with two factors, one with three, one with four, and this one with five).  Drag the orange lines around.

Sorry, the GeoGebra Applet could not be started. Please make sure that Java 1.4.2 (or later) is installed and active in your browser (Click here to install Java now)

I gave them this list of possible questions to get started, but I emphasized that if they found anything fun or interesting, they should feel free to explore that instead, to branch off.  Then, for the next 30 minutes, I walked around the classroom admiring what the students were doing, reassuring kids that they really didn’t have to follow any particular instructions, and giving geogebra tips to kids that wanted to move beyond my initial setup.

Results were mixed.  At the end of the class period I had some students who were extremely happy with their creations.  Some students were upset that they were not able to create anything that they thought was cool.  Several students approached real mathematics.  One boy noticed that if he put an even number of lines on top of each other, the curve didn’t cross the x-axis, but an odd number of lines would cause the curve to cross, and furthermore that the more lines were on top of each other, the bigger and flatter the flat part would be (e.g. the vertex of a quadratic vs. a quartic).  A girl in the corner of the classroom, after changing some of the linear factors to quadratic factors (and later to a sine factor), and changing my original curve from a product of functions to a quotient, noticed that when the dividing function was allowed to reach zero all sorts of crazy stuff happened.  Zero students created a formal theorem and proved anything about their observations.

This glimpse of a radically different kind of math education was startling.  Some students were really just finger painting, dragging lines around and randomly changing stuff to see what happens.  Other kids were trying to create particular effects.  Some kids would have continued for another hour, and others were bored and frustrated after 15 minutes.  All of this behavior seems a lot like an art class in 1st grade.  If these kids had math once or twice a week since elementary school, and it was taught like an art class, do you think they would be up to proving theorems of their own by now?  I don’t mean anything revolutionary – I don’t expect we could ever turn every student into a new branch of mathematics – but don’t you think they might be interested in dividing polynomials by 10th grade just to see what happens?

Click here for the GGB file.

 
 
Performance Optimization WordPress Plugins by W3 EDGE